![]() Use the Trinity Display (the readout at the bottom) in REFERENCE to identify where your mix needs tweaking. Then make notes of what to change in your mix to sound more like the references. Listen closely to the frequency balance, compression, and stereo width of each track. Just drag and drop a few of your favorite songs into the Wave Transport and toggle between them to see how your mix stacks up. REFERENCE by Mastering The Mix makes it easy to compare your track with up to 10 reference mixes. That’s why it’s so important to find a few quality reference mixes to help guide you along the way. For instance, there can be a world of difference between pop-punk, death metal, and indie rock. When it comes to rock music, each sub-genre has its own unique style and sonic signature. Read on to learn what to listen for when adding EQ, compression, and saturation to your track, as well as how loud your final master should be. ![]() In this blog, we’ll share some of our favorite tips for mastering rock music, including different approaches for the most common rock sub-genres. But the song’s effortless groove doesn’t rehash Saturday Night Fever as much as point the way forward: to 1980 and beyond, to a new lush era of pop-centric R&B and, pointedly, to Thriller itself.Rock music has so many sub-genres, it can be difficult to know exactly what sort of sound you should shoot for, or which techniques to use while mastering. But “Rock With You” is, at best, “disco adjacent.” Sure, its arrangement contains plenty of touchstones, from a string part straight out of the Barry White playbook to the moment drummer John Robinson kicks into a disco backbeat just as Michael hits the “We can ride the boogie” lyric. Possibly an 11.) Jackson’s other self-penned compositions from Off The Wall, “ Working Day And Night” and “ Get On The Floor,” are unapologetic dance-driven workouts too. The swooping strings? The gurgling bass hook? Michael’s untethered falsetto? It’s nothing less than MJ eyeing the Bee Gees across a crowded nightclub and saying, “Game on.” (Obviously, “Don’t Stop ‘Til You Get Enough” is a hard 10. Now Jackson’s previous #1 hit, the Off The Wall lead-off single “ Don’t Stop ‘Til You Get Enough”? That one is unabashedly, positively, one-million percent disco. Many critics point to “Rock With You” as the last disco track to top the charts, but that’s a misnomer. With his beautifully natural Afro and a light dusting of teenage acne, he’s no different from a million other African-American teenagers in the late ‘70s. ![]() The former child star smiling in these photos looks calm and relaxed, totally unencumbered by the crushing fame that would eventually swallow his life whole. As seen in Spike Lee’s excellent 2016 documentary, Michael Jackson’s Journey From Motown To Off The Wall, pictures from this era are both deeply weird (Jackson sharing a booth with Woody Allen?) and shockingly unremarkable. Most days were spent on set, but nights often found him at Studio 54, just as the celebrity-infested nightclub was hitting its decadent, disco-drenched peak. Away from his family, his brothers, and his domineering father for the first time, 18-year-old Michael threw himself into work-and play. ![]() The year was 1977, and Jackson had relocated to New York City with his sister, La Toya, in preparation for his acting debut in Motown’s big-budget fiasco The Wiz. ![]() For one all-too-brief moment in time, Michael Jackson led a normal life. ![]()
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